In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
In international exhibition practice, movement often appears self-evident. Curator Taeho Choi reflects on two recent exhibition projects in Riga and Tainan, and on how mobility quietly shapes curatorial decisions and responsibilities.
