Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
Vacant or slow time have become rare within a culture that has reduced waiting to a minimum. Instead, every second of the day tends to be colonised by labour, leisure or consumption. As time itself becomes one of capitalism’s ‘flows’, the field of art has also not been freed from the pressures of production, writes curator Mariliis Rebane.
